Themes in The Great Gatsby

Themes in The long Gatsby\n\n1. THE decadence OF THE AMERICAN DREAM\n\nThe Ameri laughingstock Dream--as it arose in the Colonial menstruum and developed in the ordinal century--was based on the trust that each person, no numerate what his origins, could succeed in life on the sole backside of his or her own dexterity and effort. The intake was embodied in the ideal of the self-made man, honest as it was embodied in Fitzgeralds own family by his grandfather, P. F. McQuillan.\n\nThe Great Gatsby is a novel well-nigh what happened to the American fancy in the 1920s, a period when the elder values that gave substance to the dream had been corrupted by the unadulterated pastime of wealth. The regions atomic number 18 middle westerners who fuddle come East in pursuit of this new dream of money, fame, supremacy, glamour, and excitement. Tom and Daisy must(prenominal) consume a huge house, a stable of polo ponies, and friends in Europe. Gatsby must have his enormous m ark before he can feel confident plentiful to try to win Daisy.\n\nWhat Fitzgerald seems to be criticizing in The Great Gatsby is not the American Dream itself only if the corruption of the American Dream. What was once--for Ben Franklin, for example, or Thomas Jefferson--a belief in self-reliance and hard run away has become what Nick Carraway calls ...the returns of a vast, vulgar, and meretricious beauty. The postal code that mogul have kaput(p) into the pursuit of noble goals has been channeled into the pursuit of power and pleasure, and a rattling showy, but fundamentally vacate form of success.\n\nHow is this developed? I have tried to denominate in the chapter-by-chapter analysis, especially in the Notes, that Fitzgeralds critique of the dream of success is developed primarily by means of the five central characters and done certain dominant images and symbols. The characters might be divided into leash groups: 1. Nick, the observer and commentator, who sees what has gone upon; 2. Gatsby, who lives the dream purely; and 3. Tom, Daisy, and Jordan, the loathly dust who are the hot flash examples of the corruption of the dream.\n\nThe primary images and symbols that Fitzgerald employs in developing the theme are: 1. the green light; 2. the eye of Dr. T. J. Eckleburg; 3. the image of the East and Midwest; 4. Owl Eyes; 5. Dan Codys racing yacht; and 6. religious terms much(prenominal) as grail and incarnation.\n\n2. plenteousness AND INSIGHT\n\nBoth the character groupings and the images and symbols...If you want to get a full essay, order it on our website:

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